Category Archives: jazzDocs

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Krzysztof Komeda

Krzysztof Komeda (born Krzysztof Trzciński; April 27, 1931 in Poznań – April 23, 1969 in Warsaw) was a Polish jazz pianist and composer of jazz and film music of international renown. According to Jan Wróblewski, Komeda occupies a similar musical rank in Poland to Chopin.

In his youth, he received piano lessons in Ostrów Wielkopolski (German: Ostrowo), where he lived from 1946 to 1951. Later, he became a student at the Conservatory in Poznań (piano lessons and music theory). He then decided to study medicine. His father, Mieczysław Trzciński, was a banker and took over the position of branch director of the National Bank of Poland in Poznań in December 1952. During his studies, he lived there with his parents from 1952 to 1956[2] and had his own piano.[3] As a student, he made contact with the Krakow underground jazz scene. They met in private apartments or nightclubs, the “catacombs of jazz”.[3] His interest in popular and dance music shifted from Dixieland to bebop and finally to contemporary jazz.

Komeda-Trzciński celebrated her first national success in August 1956 at the first jazz festival in Sopot with the Komeda Sextet. News of a jazz festival had spread like wildfire throughout Poland. The completely improvised event attracted approximately 30,000 to 50,000 young Poles, who spent the night on lawns, in parks, or in beach chairs.

The festival began with a parade similar to the New Orleans orchestra parades at Mardi Gras. The Komeda Sextet, in two boxes, symbolically buried the traditional Dixieland jazz and dance music. Since all the newspapers reported on the first free jazz festival, jazz music could no longer be banned from public view as easily as before.

https://de.wikipedia.org/wiki/Krzysztof_Komeda

https://en.wikipedia.org/wiki/Krzysztof_Komeda


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Daniela Nicolae

Daniela Nicolae graduated from the Jazz Department with a Master’s degree in Jazz and Popular Music Cultures at the Bucharest University of Music and Performing Arts. She studied with Marius Popp and Mircea Tiberian. She received a scholarship from Berklee College of Music, Boston (1995). She has performed at jazz festivals in Costinești, Brașov, Cluj, Timișoara, Bucharest, and Sibiu, and in clubs. She has recorded audio for the Romanian Radio and Television Corporation. She has a registered trademark, “Jazz Collection,” a weekly radio program broadcast since 2000 (in Bucharest, Cluj, Târgu-Mureș, and Chișinău). She has also interviewed major jazz musicians, preserved in the Jazz Collection archives: Jancy Korossy, Edmond Deda, Johnny Răducanu, Stefan Berindei, Alin Constantiu, Anca Parghel, Marius Popp, and Adrian Enescu. Collaboration in concerts with jazz musicians: Anca Parghel, Teodora Enache, Ozana Barabancea, Tom Smith, Rick Conditt, Jean Louis Rassinfosse, Alin Constanțiu, Garbis Dedeian, Liviu Butoi, Dan Ionescu, Cătălin Răsvan, Eugen Nichiteanu, Lucian Maxim, Pedro Negrescu, Cătălin Rotaru, Sorin Romanescu, Berti Barbera, Vadim Tichișan, Mihai Iordache, Cătălin Milea.

Specialist Physician – Clinical Pharmacology; Medical Journalism.

How Insensitive by Antônio Carlos Jobim. Band: Daniela Nicolae – piano, Cătălin Răsvan – contrabass, Eugen Nichiteanu – drums. Recorded at Art Jazz Club. Video art by Gabi Stamate.
JournalistDoc
Playing Harpsichord in Vivaldi Violin concerto with Romanian Doctors Orchestra

https://www.facebook.com/daniela.nicolae

wonderful track collection on Soundcloud https://soundcloud.com/daniela-nicolae-2?fbclid=IwY2xjawJ22e5leHRuA2FlbQIxMABicmlkETBEckhUU2ZFZzlxdWNvZjBPAR4PUN8ooxiyN2-7mAxiFnQZYpLpg1JLc2XnnGl-h5UPJt_BkVs3iwG0GB7y1w_aem_RxJ5iInn15Jx3CpeyaAHRg

Jazz Collection for Radio Bucharest https://www.romania-muzical.ro/emisiuni/esp-index.htm?sh=18&fbclid=IwY2xjawJ22e9leHRuA2FlbQIxMABicmlkETBEckhUU2ZFZzlxdWNvZjBPAR4UqSGVrNdvkCY4Tlqex-sWUv1YvaegIMWAtHxt17OdwcH5C9DZYW43m25yJQ_aem_IHZbdv7KWofIPHossHHJEA

https://www.youtube.com/user/DanielaNicolae

https://www.linkedin.com/in/daniela-nicolae-84686227


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Monash Medical Jazzband

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monashmedicaljazzband@gmail.com


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Jan Behrens

Jan Behrens is Jazz-PianoDoc from Braunschweig, who composes his own titles and performs internationally.

Fotos by Jan Behrens Galerie!

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more youtube


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Peter Lockwood

Raising steam. c.1970

DOCTORS DIVERSIONS: Chugging along with  eye-surgeon from City of St. John’s/New Foundland!
Since he has worked with steam not only on rails we call him SteamDoc AND RailDoc….

My son with Jane the tank engine, taking on water

Dear Mr. Ellenberger, 

I am enclosing some pictures of some of the models I have built over several years. Unfortunately, I do not have too many “action” photos, but these will perhaps give you some idea of what I do.

I built my first steamboat model at age nine. I have always ‘made’ things! From childhood I built boats. As a teenager during the war, I built model aeroplanes. Then after the war, as a med student, I bought my first lathe and built a small workshop in the cellar of our house. I produced several small engines for boats and then started my first locomotive – “Virginia” (American standard 4-4-0), seen in the workshop photo with the unfinished Duchess”.

chess under construction — future name, “City of St. John’s”.

Following a stint in the R.A.F. at Wegberg, I did more work on Virginia and then emigrated to Canada where Virginia was completed in 1962. During this time I also made a steam yacht which now occupies a glass case I my office.

Following the completion of Virginia, I made several other things – a launch engine for a three-meter boat, a stationary beam, and with the help of the kids – I started building a railway track round the garden. About this time, I also began building the Duchess (completed in 1981) which took nine years to construct. However, as it was a major undertaking to get her onto the track, being so heavy (200 kilos); I commenced “Jane”, a green dock tank engine which you can see with one of my sons and his wife near the water tower on the photo. 

Jane was built in two years and as she only weighs 60k, she is easy to get onto the track and very happy with a load of six adults. (I imported my Welsh steam coal – half a ton – from the U.K. many years ago, so I’m O.K. for a good bit yet!) In the meantime, a traction engine was built in the nineties together with several other odds and ends.

During my years in Newfoundland, the workshop has been considerably enlarged and has welding (gas and electric), milling, shaping, and a new Myford lathe acquired in 1965. I also have a cutter grinder and various woodworking tools – both hand and machine.

Living in the land of snow and ice, I also have a caterpillar tractor to clear the snow. This rather large beastie requires maintenance at times. As well, I have several automobile projects as I was also engaged in motor sport locally and inter-provincially. I was a national steward for several years.

So now, I’m having to sit back on my laurels at the age of 78 with a total hip replacement and spinal stenosis! I hope this gives you some idea of what a “model engineer” does!

My late wife was once asked, “And what do you do?” Her reply was, “I bask in my husband’s reflected glory!” She was however, an excellent nurse and mother and a literary genius!

Yours sincerely,

Dr. Peter Lockwood

P.S. I also paint and have exhibited and sold some of my artwork. I play jazz
piano too. J


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The Jazzkulaps

Jazzkulap is the BigBand of the UKE – Universitätsklinikum Eppendorf in Hamburg.

Under Gerhard Baumann ca. 20 musicians play – most of them medical staff of the UKE and other Docs. The programm covers Swing traditions of the 30-ies and 40-ies up to actual compositions.

Web (actualisiert?)


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David Baaß

David Baaß is contributing a lot of music to the UKE – Universitätsklinikum Eppendorf in Hamburg/Germany.

Lobby UKE

He often plays in the grand lobby of the UKE with improvisations about classical and Jazz music.
He conducts the choir of MedStudents UKE.
For the choir he composed an antibiotics-suite.

David Baaß is also organ player in the Michaeliskirche Hamburg and conducts their youth choir.

youtube playlist Studierendenchor UKE


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Jadźka Kłapa

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Jadźka Kłapa is a polish MD, jazz singer and saxophone player. She composes her own songs and accompanies herself on the Wurlitzer piano.

A tongue-in-cheek song that opens the album “Point Styku”. “Get Up” was created as a reaction to the fatigue of medical work. Responsibility, patterns, duties, who doesn’t want to be freed from their yoke every now and then? No wonder the stethoscope is a symbol of the song – it was created during one of my first hospital internships. I was a newly minted doctor who had just graduated from college. At the beginning of this journey, I was not convinced that I was in the right place and at the right time. I felt lost, wandering in the fog and struggling to survive. One day when my alarm went off early in the morning, I didn’t get up. Instead, I slept sweetly, dozed, dreamed, was silent and… wrote a song about it. In the morning no one noticed my absence, so you could say I got away scot-free. In addition to my vocals and saxophone, the recording features Paweł Zarecki on Steinway piano, Hammond, Moog, Maciek Szczyciński on double bass, Paweł Dobrowolski on drums and guest Mateusz Smoczyński on violin.

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