Tuğsal Moğul (* 1969 in Neubeckum) is a German-Turkish director, theatre author and MD.
Parallel to his medical studies in Lübeck he studied acting in Hannover. Working as MD in Berlin he began writing works about medical questions as “Halbstarke Halbgötter” (2008), “Somnia” (2010) und “Die Angehörigen” (2014) which he realised with he realized with his ensemble THEATER OPERATION (Bettina Lamprecht, Carmen Dalfogo, Stefan Otteni, Dietmar Pröll und Ariane Salzbrunn).
Besides medical themes he worked about migration and racism as about the NSU killings:
Report in WDR about an actual film about the killings of Hanau:
Isabella Vértes-Schütter (* 22. April1962 in Hamburg) is a German actress and politician in the senate of Hamburg
Isabella Vértes-Schütter is daughter of the opera singer Helga Pilarczyk. She is widow – her husband Friedrich Schütter was director of the Ernst-Deutsch-Theater in Hamburg – they have two children. Already during school she took acting lessons from Annemarie Marks-Rocke. After the Abitur she studied medicine and studied acting. She wasinvolved with the Hammoniale – Festival der Frauen in the Kampnagel Fabrik. Later she played at the Ernst Deutsch Theater and Thalia Theater (Hamburg). In 1994 she became director of the Hammoniale – Festival der Frauen. Since 1995 Isabella Vértes-Schütter is dierector of the Ernst Deutsch Theaters following her deceased husband.
Isabella Vértes-Schütter is member of the SPD political party. She got mandates in the parliament of Hamburg in 2011 and 2015 and 2020.
Together with his brother Christian he opened an own theatre in Essen and performed since 1995 with his comedy program. After retiring from his medical job and closing his doctors office he only performed there and in a TV series or the WDR.
(DE): Seit 1995 schrieb Ludger Stratmann, der in der Kabarettszene als „der Doktor“ bekannt wurde, etwa alle zwei Jahre ein neues Solobühnenprogramm und spielte seine Programme auf der Bühne zunächst gemeinsam mit dem Pianisten Hagen Rether. Ab 2005 trat er solo auf. Die Titel der Programme lauten: Hauptsache, ich werde geholfen! (1995), Heute komm’ ich mal mit mein’ Bein! (1997), Hauptsache nich fettich … (1999), Machensichmafrei, bitte! (2005), Kunstfehler (2009) und Pathologisch (2015). Insgesamt besuchten diese Bühnenprogramme bis 2007 ca. 1,2 Millionen Menschen live in seinem Theater sowie auf Bühnen von Flensburg bis München. Stratmann gehörte zu den erfolgreichsten Kabarettisten und Livekomikern Deutschlands. Die ersten drei Programme übertrug der Fernsehsender WDR in voller Länge. Mehrfach füllte Ludger Stratmann die Grugahalle mit bis zu 4500 Zuschauern. Im Jahr 2003 spielte er vor jeweils 1500 Zuschauern in der Stadthalle Hagen an drei aufeinanderfolgenden Abenden die drei verschiedenen Zweistundenprogramme. Er verkörperte hier stets den Hypochonder, Bühnenarbeiter und Kleingartenpräsidenten Josef Kwiatkowski „Jupp“, der über Krankheitsverläufe pseudowissenschaftlich referiert und amüsante Milieubeschreibungen abliefert, wobei sich Stratmann an seinem Arbeitsplatz, im Wartezimmer oder dem Krankenbett befindet.
Dear Mr. Ellenberger! Thank you for your activity to bring together the right people. TO support your work and simplify it herewith you get my permission to use any material from my homepage ( www.desch-musicproduction.de ). I feel you have the right touch to present colleagues at www.DoctorsTalents.com .
There is little to say about my professional career. Music, piano and composition studies were runing parallel with the medical studies….. [remark from Wolfgang Ellenberger: Right, Otmar, nothing easier than that!] After my medical exam I was working at the theatre in Münster/Germany for 15 years (my parents were frightened), then I went to Berlin to have an own office as a general practitioner (and NOT give up to compose and give recitals in the Berlin area). As I had planned I sold the office at age 60 and from end of 2001 I am musical director, pianist and composer at the theatre in Stendal/Germany.
Focus of my composition style (just besides the oratorium and many many stage music pieces exposed n my homepage) is concert music between twelve tone music and jazz, as it can be found in my two concerts for piano and orchestra (a sample will be sent…). Since 2007 I finally have the time to concentrate on marketing of these products since I make only contracts with the theatre about single productions. By the way I am looking for prominent editors … see what happens…. this much for today! Desch
Born in 1942 Composer, pianist, specialist in general medicine (Focus: psychosomatics) Pianistic training: most recently with Prof. Klaus Hellwig (Münster / Berlin, University of the Arts) Composition studies with Prof. Harry Höfer (Münster) Composition courses with Mauricio Kagel (Cologne / WDR)
In 1960, at the age of 18, he began coaching ballet at the Münster Municipal Theater and, after completing his studies, was permanently employed as a solo accompanist (opera, operetta, and musical). In parallel with his coaching, he composed numerous stage scores and, after two more years, took over as director of incidental music at the municipal theaters and at the Münster Zimmertheater (Wolfgang Borchert Theater).
This was followed by guest engagements at various German stages (including the Landesbühne Niedersachsen / Wilhelmshaven) with commissions for further stage music, arrangements and musical direction of musicals, stage music and revues (including Hallo Dolly, Kiss Me Kate, Irma-La-Douce, Happy End, Threepenny Opera, Dance on the Volcano, Black Fair, The Romantics, Charly’s Aunt, Wirtshaus im Spessart, Puntila and his servant Matti, The Caucasian Chalk Circle, At the White Horse Inn, Secretaries, Men).
With the “Otmar Desch Jazz Trio” (now “1-stein Jazz Trio”), he performed nationwide, composed and accompanied (at concerts in Hamburg, Munich, Bremen, Detmold, Münster, and Marburg) chanson programs by singer and actor Thomas Kylau (with live performances on WDR/NDR and participation in the North German Chanson Festival in Hamburg), and produced the chanson record “Lieder statt Kakteen” (German Progressive / (Kraut-) Rock – Record Price Guide).
As a pianist with the North German rock-jazz group “Humus,” he also performed nationwide and recorded his first record, “Offshore,” with the Planungs-Verlag Dortmund publishing house in 1976 (The JAZZ Discography – by Tom Lord).
He can be counted among the first German composers to combine “serious” music with “pop” music and to introduce it into symphony concert programs (composition and spectacular premiere of his “Requiem For Elvis Presley” with the rock jazz group “Humus” and members of the Münster Municipal Symphony Orchestra, among others).
He taught as a pianist at the Westphalia-Lippe University of Education for several semesters.
At the Westphalian School of Music (Münster, under the direction of Prof. Vetter), he led the jazz department of what is now the University of Music. He also served for several years as the responsible director of national jazz and pop music courses within the Westphalia-Lippe State Association for Music.
He directed several regional choirs (mixed choirs, men’s choirs, and women’s choirs) and successfully performed the first “choir shows” in the Westphalia region.
He composed numerous “ecumenical songs” for Protestant and Catholic congregations in the Westphalia region and played various jazz masses of his own in the ecumenical arena (performing with “Pit” Janssens, among others).
His artistic collaborators include well-known artists such as actor Mario Adorf and mime artist Prof. Sammy Molcho (Vienna), as well as actresses Anja Kruse, Ute Lemper, and Marie-Luise Marjan, as well as Udo Lindenberg (drums / “modern jazz”) and TV presenter Götz Alsmann. He has also performed as a pianist on talk shows with Alfred Biolek, among others.
In 1980, parallel to his artistic activities, he opened a general practice in Berlin-Lichtenrade and continued his studies as a hypnotherapist at the I.H. Schultz Institute in Berlin (directed by Dr. Dr. med. Thomas).
He caused a sensation in 1976 with the premiere of his orchestral suite (“Pick-Up Suite”): “Such a powerhouse! Otmar Desch blasts his self-composed musical into the keys, tearing the audience from their seats…” – Berliner Zeitung
As a result of his medical and hypnotherapeutic experiences, he composed the full-length oratorio “Fried’, üßer Vogel” (Fried, sweet bird) for organ, soloists, and small orchestra (premiered in 1999 in Berlin-Britz).
With his wife Ines Desch (née Irmer) – formerly principal oboist of the Berlin Radio Symphony Orchestra – he began establishing “INESSA Music Production” in 2001 and now primarily produces various CDs, in addition to music for therapeutic use.
Current Position: Since 2001, he has been employed as Musical Director of the Dramatic Music Department at the Theater der Altmark (TdA), Stendal.
The Haven Players is the preeminent medical center theater company in the country and one of the crown jewels of Columbia University Irving Medical Center. Since 1967, HP has been doing the near impossible—producing three fully-mounted theatrical productions each academic year. Drawing on the creativity, design, and performance skills of students and faculty members from all corners of the medical center’s campus, HP creates entertainment of high artistic quality that is also great fun for all involved.
Michelle has studied Philosophy, Psychology and Theater sciences. At the Vienna Art School she studied painting, sculpturing and ceramics (2nd prize for ceramics at the 10-year-jubilee-festival of the school) Further she went to the actors school of Prof. Krauss studying acting and direction. Last not least she did medicine at Vienna University with doctorate degree in 1984.
Now she is working as coach and channelling high spiritual power for the benefit of her patients. You MUST visit her web site where she has photos of her art objects which mirror perfectly her high degree of inspiration
Rainer Erlinger (* 1965 in Deggendorf) is a German MD, lawyer, column writer and book author
He studied law, then interrupted this and finished his medical studies in 1992. After working in medicine he took up his law studies and works as lawyer in Munich since 1999.
