Jorge Drexler is ComposerDoc and SingingDoc and more
In 1995 he was invited to Madrid by well-known Spanish songwriter Joaquín Sabina, who introduced him to other important Spanish singers. Drexler went to Spain to record the album Vaivén in 1996 with Spanish musicians. Vaivén included some old songs from his previous releases mixed with new compositions. He moved to Spain and recorded another four albums: Llueve (1997), Frontera (1999), Sea (2001) and Eco (2004). In 2001, Drexler co-wrote two songs for Spanish singer Rosario Flores (“Agua y Sal” and “Rosa y Miel”) for her album Muchas Flores.
Drexler’s song “Al Otro Lado del Río” appeared in the internationally acclaimed film The Motorcycle Diaries. Though Drexler himself sang the song on the movie soundtrack, he was not allowed to perform the song at the 2005 Academy Awards, since “he was not popular enough,” according to Spanish newspaper El País; Spanish actor Antonio Banderas and Mexican-American musician Carlos Santana sang the track instead. Upon winning, Drexler recited two verses of the song at the podium. Drexler became the first Uruguayan to win an Academy Award, and this was also the first for the country.
After that, he released 12 Segundos de Oscuridad (2006); this album contained ten original songs and two covers: “High and Dry” from British band Radiohead and “Disneylandia” from Brazilian Titãs. Although he lives most of the year in Spain, his albums were partially recorded in Uruguay with Uruguayan musicians. Juan Campodónico and Carlos Casacuberta, former members of rock band El Peyote Asesino, had produced Drexler’s albums from Frontera to 12 Segundos De Oscuridad. In 2008, he released a double live album, recorded in diverse concerts in Spain: Cara B (2008), mainly filled with songs previously unreleased. During 2009, Drexler worked with Colombian performer Shakira on the Spanish-language versions of her singles “She Wolf“, “Did it Again” and “Waka Waka (This Time for Africa)“, and recorded Amar la Trama (2010) in Madrid, Spain in just four days, with musicians playing live on studio. Drexler described the album as playful, without “the melancholy and anguish” of 12 Segundos.
His music is a combination of Uruguayan traditional music (candombe, murga, milonga, tango), bossa nova, pop, jazz and electronic music, which results in very personal compositions with original arrangements. The words also play an important role in his songs. Apart from love, reflections about identity, race and religions are a constant in his work.